Index

Film criticism, festival reports, exhibition and performance writing

2026Bartin, Elie. “Zinebi ou le sens de la rupture.” Cahiers du cinéma 827, January: 73. ZINEBI report with a substantial discussion and still from Merrimundi. 

Open entry

2026al-Sharif, Basma. “Undercurrents 9 — Swan Songs.” Courtisane Festival programme essay. Discusses Merrimundi in relation to Morgenkreis and Slet 1988. 

Open entry

2026Equipo Culto. “Obras de Niles Atallah y León & Cociña se reúnen en una exposición de video.” La Tercera, 17 August. Utopía retorcida exhibition report. 

Open entry

2026Julio, Tatiana. “Utopía retorcida: un mundo perturbadoramente reconocible.” Mediales.art, 28 August. Discusses Merrimundi, wawawall and the material works in the Arrayán Espacio exhibition. 

Open entry

2026El Ciudadano. “‘Aqua Vitae’: Niles Atallah inaugura exposición fotográfica en Casa Fósfora este viernes 5 de junio.” 5 June. Report on the exhibition, Taller Espora and Casa Fósfora. 

Open entry

2025Meza, María Eugenia. “De fantasmas y monstruos nacionales.” Revista Primer Plano, 27 May. Comparative essay including Animalia Paradoxa. 

Open entry

2025Navarro, AJ. “‘Animalia Paradoxa’, un cuento de hadas posmoderno sobre la capacidad de soñar.” La Crónica de Hoy, 3 January. Review of Animalia Paradoxa. 

Open entry

2024Sofuoğlu, Öykü. “Animalia Paradoxa — Niles Atallah [Fantasia Fest ’24 Review].” In Review Online, 31 July. 

Open entry

2024Depolo, Octavia. “Animalia Paradoxa: Futuros lacrimógenos.” laFuga 28. Review linking the film’s ruined spaces, performance, handmade animation and political imagination. 

Open entry

2024Pérez, Ángel. “Animalia paradoxa, de Niles Atallah: una película anfibia.” Rialta, 13 August. 

Open entry

2024Kush, Nick. “Fantasia Film Festival 2024 Review: ‘Animalia Paradoxa’.” MovieBabble, 3 August. 

Open entry

2024Gray, Carmen. “Animalia Paradoxa.” The Film Verdict, 31 January. Rotterdam review of the feature. 

Open entry

2024Chaw, Walter. “Fantasia Festival ’24: Kryptic; The Beast Within; Vulcanizadora; Animalia Paradoxa.” Film Freak Central, 30 July. Festival review article with a dedicated section on Animalia Paradoxa. 

Open entry

2024Sawin, Chris. “Fantasia Film Festival 2024 ‘Animalia Paradoxa’ Review – Swim Against the Apocalypse.” Bounding Into Comics, 24 July. Review of the feature. 

Open entry

2024Vargas, Sofía. “Animalia Paradoxa | Crítica: un viaje visual e incierto.” Te Invito al Cine, 5 December. Review accompanying the Chilean theatrical release. 

Open entry

2024Wishloff, Thomas. “Fantasia 2024: Our Review of ‘Animalia Paradoxa’.” In The Seats, 22 July. 

Open entry

2024Brannan, Alex. “Review: Animalia Paradoxa — Fantasia Festival 2024.” CineFiles Movie Reviews, 21 July. Discusses the film alongside Diluvio’s experimental cinema. 

Open entry

2024Wassberg, Tim. “Fest Track on Sirk TV Film Review: Animalia Paradoxa.” SirkTV / The Inside Reel, 21 July. Fantasia International Film Festival review. 

Open entry

2024Paine, Alex. “Animalia Paradoxa (Fantasia 2024) (Review).” The Geek Show, 7 August. 

Open entry

2024Gilliland, Scott. “Animalia Paradoxa – Fantasia Fest 2024.” Upcoming On Screen, 25 July. 

Open entry

2023Lattimer, James. “Tous les cinémas: FIDMarseille 2023.” Film Comment. Festival report including Vitanuova. 

Open entry

2023Rizov, Vadim. “At Least 18 Filmmakers Withdraw from IDFA 2023.” Filmmaker Magazine, 15 November. Reports and quotes Atallah’s Palestine-solidarity statement and decision not to pitch at IDFA Forum. 

Open entry

2021mysterycat23. “Invasion Narratives – Rey (2017) / Walker (1987).” Eclectic Ramblings, 7 May. Comparative essay on colonial narratives and cinematic form. 

Open entry

2020CinemaChile. “La vanguardia como lugar de resistencia: el cine de Niles Atallah” / “The Cinema of Niles Atallah.” Career essay drawing on a 2017 interview. 

Open entry

2020Lattanzi, Laura. “Conversatorio Colectivos Audiovisuales de la Revuelta.” laFuga 24. Includes Nayra Ilic García’s account of Atallah’s rotoscope-animation workshop and its influence within Ojo Chile. 

Open entry

2019Bluth, Johannes. “Historischer Experimentalfilm ‘Rey’: Die Körnung des Königlichen.” taz, 3 January. German-language review of Rey’s material and historical experimentation. 

Open entry

2019Corinth, Ernst. “‘Rey’: Der Mann, der König von Chile war.” RedaktionsNetzwerk Deutschland (RND), 1 January. German-language release review. 

Open entry

2019Aguilar, Alonso. “Aesthethic Colonization: The Cultural Battle Within Latin America’s Arthouse Cinema.” Photogénie / Cinea, 6 December. Essay comparing Rey with Zama, Jauja and other Latin American films. 

Open entry

2018Romney, Jonathan. “Film of the Week: Rey.” Film Comment, 2 March. 

Open entry

2018Fernández, Ana. “Rey. El reino de Orélie Antoine de Tounens.” laFuga 21. Review of historical representation, colonialism and the film’s experimental form. 

Open entry

2018Estévez, Antonella. “La casa lobo: La perversión cuadro a cuadro.” Radio Universidad de Chile, 4 November. Film directed by León and Cociña; Atallah’s contribution was production and Image Post-Production. 

Open entry

2018De los Ríos Escobar, Valeria. “Cine chileno contemporáneo: Cartografía provisoria para un campo en expansión.” Revista Icónica, 17 December. Essay including Lucía and Rey; also published in English as “Contemporary Chilean Cinema: A Provisional Cartography of an Expanding Field” in Senses of Cinema. The two versions are one essay. 

Open entry

2018Morales Lastra, Enrique. “Rey: Narraciones extraordinarias.” Cine y Literatura, 4 February. 

Open entry

2018Estévez, Antonella. “Rey: El monarca alucinado.” Diario y Radio Universidad de Chile, 8 January; also republished by Cinechile. 

Open entry

2018Clarke, Cath. “Rey review – dreamlike drama about a man who would be king.” The Guardian, 5 January; print edition, p. 21. Online and newspaper versions of the same review. 

Open entry

2018Rovers, Ronald. “Rey: Van koningen, de dingen die voorbijgaan.” Filmkrant, 15 August. Dutch-language review; distinct from Guus Schulting’s interview. 

Open entry

2018Mosciatti, Ezio. “‘Rey’, o cómo llenar los ojos y oídos de cine.” BioBioChile, 5 January. Extended review of the film’s historical, visual, sonic and symbolic construction. 

Open entry

2018Rapold, Nicolas. “Rey.” Film Comment, March–April, Currents. Review comparing the film with Lucrecia Martel’s Zama. 

Open entry

2018Bittencourt, Ela. “From Prose of Life to Poetic Visions: Neighboring Scenes 2018.” Notebook / MUBI, 28 February. Includes Rey and its relationship to Zama and Latin American cinematic representations of colonialism. 

Open entry

2018Álvarez Ríos, Francisco. “Tríptico: ‘Rey’ de Niles Atallah.” godart, 8 January. Three-part critical essay on the feature. 

Open entry

2018“Rey.” Filmes do Chico; republished in Blog de Filmes, 19 June. Portuguese-language review; the saved English translation is the same article. 

Open entry

2018Pobre Diletante. “Rey (Niles Atallah, 2017).” Pobre Diletante, 15 January. Review headed “Avant-garde para principiantes.” 

Open entry

2018Haddad, Naief. “Em espécie de alucinação, ‘Rei’ faz exercício experimental de beleza notável.” Folha de S.Paulo, Ilustrada, 21 June. Review accompanying the Brazilian release; Portuguese original and saved English translation are one text. 

Open entry

2018fílmicas. “Las mejores películas latinoamericanas de 2017.” 3 January. Year-end selection with a short review of Rey, ranked third. 

Open entry

2018Concannon, Philip. “Rey.” Phil on Film, 15 January. Review of the feature. 

Open entry

2018“Película ‘Rey’ se estrena hoy en Concepción.” El Sur, Espectáculos, 18 January, p. 23. Brief announcing the Universidad de Concepción screening. 

Open entry

2018Leiva, Andrés. “Rey: La leyenda de Orélie Antoine de Tounens, el autoproclamado rey de la Araucanía.” Hojas Mágicas, January. Review of the feature. 

Open entry

2018Mosciatti, Ezio. “Récord de estrenos chilenos: ‘Rey’, ‘Salamandra’ y ‘Sapo’ debutaron hoy en salas.” BioBioChile, 11 January. Release overview with a dedicated discussion of Rey. Posted by Emilio Contreras. 

Open entry

2018Ochoa Mardones, Héctor. “Estrenan película sobre Orélie Antoine de Tounens, el Rey de La Araucanía.” El Austral de la Araucanía, Espectáculos, 10 January, p. 27. Report announcing the film’s Temuco release. 

Open entry

2018El Desconcierto. “Llega a salas alabada película chilena que se sumerge en la historia del Rey de La Araucanía.” 3 January. Release report on Rey. 

Open entry

2018Marín-Naritelli, Francisco. “Rey hay uno solo: Rey pájaro, Rey tierra, Rey agua.” Cine y Literatura, 11 January. Review of Rey. 

Open entry

2018Poblete, Joel. “Riesgos, aciertos y experimentaciones.” Publimetro Chile, 10 January. New-release column with a critical assessment of Rey and a reference to Lucía. 

Open entry

2018Grijalba Gomez, Jaime. “The 10 Best Chilean Films of 2017.” ScreenAnarchy, 8 January. Year-end selection ranking Rey second, with a short review. 

Open entry

c. 2018Looker, Matt. “Rey.” Total Film. Short review of the feature. 

Open entry

2018Hall, Lukas. “Theatrum Mundi: Colonial Farce and the Task of Indigenization in Niles Atallah’s Rey.” The Courtauldian, 31 January. Extended critical essay on the feature. 

Open entry

2018A. S. “Rey (2017).” Filmuforia, 3 January. Review discussing the film alongside Eraserhead, Aguirre and Zama. 

Open entry

2018Serjent, Colin. “Rey (12).” Nerve Magazine, 12 January. Review of the Picturehouse at FACT, Liverpool, presentation. 

Open entry

2018McGill, Hannah. “Rey.” Sight & Sound, February, pp. 71–72. Review of the feature. 

Open entry

2018Oyarzún, Héctor. “Rey (1): Colonialismo sicodélico.” El Agente Cine, 18 January. Review of the feature. 

Open entry

2018Gonzalez Itier, Sebastian. “Rey (3): El juego de las máscaras.” El Agente Cine, 30 January. Review of the feature. 

Open entry

2018Munjin, Vanja. “Rey (2): Materialismos pretéritos.” El Agente Cine, 24 January. Release review reconsidering the film’s materiality and historical indeterminacy. 

Open entry

2017Azalbert, Nicolas. “Rey.” Cahiers du cinéma 738, November, p. 65. Cahier critique; full review preserved in the press archive. 

Open entry

2017Choury, Thomas. “L’Aventurier de l’archive perdue.” Critikat, 28 November. Review of Rey. 

Open entry

2017Delgado, Mónica. “Olhar de Cinema 2017: Rey de Niles Atallah.” Desistfilm. 

Open entry

2017Piette, Jérémy. “Rey en terrain illuminé.” Libération, 28 November. 

Open entry

2017Macheret, Mathieu. “Rey, l’histoire du Français qui voulait devenir roi de Patagonie : variation sans folie sur une odyssée délirante.” Le Monde, 29 November. 

Open entry

2017Aguilar, Alonso. “El reino de un lenguaje perdido.” Mediapart, 22 March. Review of Rey. 

Open entry

2017Weissberg, Jay. “Rotterdam Film Review: ‘King’.” Variety, 6 February. 

Open entry

2017Herrera, Claudio. “Rey, de Niles Atallah.” Cinechile, 28 October. Review of the feature. 

Open entry

2017Delgado, Mónica. “Olhar de Cinema 2017: Sobre la retrospectiva de F. W. Murnau.” Desistfilm, 25 June. Festival essay documenting Atallah’s participation in a panel on Murnau’s influence on contemporary cinema. 

Open entry

2017Colantonio, Guillermo. “Festival de Rotterdam: Rey (2017), de Niles Atallah” / “Crítica: Rey (2017), de Niles Atallah.” CineramaPlus, 8 February; later version dated 14 November. One review under two successive headlines. 

Open entry

2017Castellano, Pablo. “Rey (Niles Atallah).” Cine maldito, 28 November. 

Open entry

2017The Clinic. “Llega a Chile la cinta ‘Rey’ de Niles Atallah.” 19 December. Chilean theatrical-release report. 

Open entry

c. 2017Flouriot, Patrick. Review of Rey, l’histoire du Français qui voulait devenir Roi de Patagonie. Les Fiches du Cinéma. French-release review indexed by AlloCiné; publication year inferred from the French release. 

Open entry

c. 2017Deruisseau, Bruno. Review of Rey, l’histoire du Français qui voulait devenir Roi de Patagonie. Les Inrockuptibles. French-release review indexed by AlloCiné; publication year inferred from the French release. 

Open entry

c. 2017Chèze, Thierry. Review of Rey, l’histoire du Français qui voulait devenir Roi de Patagonie. Studio Ciné Live. French-release review indexed by AlloCiné; publication year inferred from the French release. 

Open entry

c. 2017Schaller, Nicolas. Review of Rey, l’histoire du Français qui voulait devenir Roi de Patagonie. L’Obs. French-release review indexed by AlloCiné; publication year inferred from the French release. 

Open entry

2017Garay, Rodrigo. “Rey de Niles Atallah: Los renglones torcidos de la Araucanía.” F.I.L.M.E., 26 June. Review of Rey. 

Open entry

2017Mena, César. “CRFIC-2017. Rey.” Krinegrafo, 10 December. Costa Rica festival review. 

Open entry

2017Moseguí, Carlota. “Rotterdam 2017: Premios y críticas de la Competencia.” Otros Cines, 3 February. Competition report and review of Rey. The Rey discussion was republished as “La fantasía mitológica de Nilles Atallah conquista Rotterdam,” Otros Cines Europa, 4 February. 

Open entry

2017Negrete, JJ. “FICUNAM | ‘Rey’: Rayones en la historia.” Butaca Ancha, 24 February. Review of Rey, with discussion of Lucía. 

Open entry

2017Koza, Roger. “FICUNAM 2017 (02): Rey.” Con los ojos abiertos, 3 February. Review on historical representation, political dispossession and the film’s visual form. 

Open entry

2017“Crítica de la película chilena Rey del director Niles Atallah.” Cinestel, 9 February. Review of Rey. 

Open entry

2017Oggiano, Roberto. “Rey: The lost kingdom.” Cineuropa, 3 February. Rotterdam review; English translation from Italian. 

Open entry

c. 2017Bardot, Nicolas. “Rey, l’histoire du Français qui voulait devenir Roi de Patagonie.” FilmDeCulte. French-release review. 

Open entry

2017Rodríguez, Carlos. “Rey.” Revista Icónica, 29 June. Review of the film’s treatment of history and memory. 

Open entry

c. 2017Silva Martínez, Marco A. “Rey de La Nueva Francia en Sudamérica.” Xpresat: Tu Revista Digital. Review of Rey. 

Open entry

2017“Pueblo Mapuche en el Cine: Dos películas ganan premios en festival en Francia.” Radio del Mar, 28 March. Toulouse awards report including Rey and Mala junta. 

Open entry

2017Aouad, Amanda. “Rey.” CinePipocaCult, 16 June. Review from Olhar de Cinema. 

Open entry

2017F. L. “Rey, l’histoire du Français qui voulait devenir Roi de Patagonie.” Chacun Cherche Son Film, 27 November. French-release review. 

Open entry

2017Grijalba, Jaime. “Olhar de Cinema Film Festival 2017: Rey, Soldado, Tonsler Park, All the Cities of the North, A Quiet Dream, & More.” Slant Magazine, 28 June. Festival report with a substantial review of Rey. 

Open entry

2017Maestro, Miguel. “Rey (Niles Atallah, 2017).” Nos hacemos un cine, 8 February. Review of the feature. 

Open entry

2017Martínez, Mariana. “Otras historias son posibles.” Miradas Múltiples, 20 June. Review of Rey. 

Open entry

2017York, Keva. “Going Underground: Celluloid in the Digital Age.” MIFF Blog, Melbourne International Film Festival, 12 August. Comparative essay on Rey and Bill Morrison’s Dawson City: Frozen Time. 

Open entry

c. 2017Watson, Grant. “Rey (MIFF).” FilmInk. Review from the Melbourne International Film Festival. 

Open entry

2017Crítico Revius. “Rey (2017).” REVIUS, 18 October. Review of the feature. 

Open entry

2017Garcia, Fernand. “Rey, l’histoire du Français qui voulait devenir Roi de Patagonie – Niles Atallah.” KinoScript, 11 December. Review of the feature. 

Open entry

2017Russo, Juan Pablo. “Un rey para la Patagonia.” EscribiendoCine, 15 November. Review of Rey. 

Open entry

2017Evans, James B. “Rey.” Electric Sheep, 22 March. Rotterdam review. 

Open entry

2017Koger Roza. “La columna de Koger Roza: El hielo y el infierno.” Con los ojos abiertos, 7 November. Comparative essay discussing Rey alongside films by Bill Morrison, João Moreira Salles and Ignacio Agüero. 

Open entry

2017Guilhem, Rafael. “La historia física de las imágenes: Rey (2017) de Niles Atallah.” Correspondencias: cine y pensamiento, no. 0, Invierno 2017, “Políticas del cine.” Review of the feature. 

Open entry

2017Galván, Luis Fernando. “Rey.” EnFilme, 13 June. Review of the feature. 

Open entry

2017Fireman, Chico. “Olhar de Cinema 2017.” Abraccine — Associação Brasileira de Críticos de Cinema, 28 June. Festival essay including Rey. 

Open entry

2017Aguilar, Alonso, and César Mena. “Filmes destacados del 2017.” Krinegrafo, 31 December. Year-end critical selections including Rey. 

Open entry

c. 2017“Rey: La apuesta experimental de Niles Atallah tiene fecha de estreno.” Zoomback. Chilean theatrical-release announcement. 

Open entry

2017López, María Graciela. “Estrenan película sobre Orllie-Antoine de Tounens, el desconocido ‘Rey de la Araucanía’.” BioBioChile, 25 December. Chilean-release report. 

Open entry

2017El Mostrador Cultura+Ciudad. “Película chilena se sumerge en la historia del Rey de La Araucanía.” El Mostrador, 13 December. Release report and trailer presentation. 

Open entry

2017El Otro Cine. “‘Rey’ (2017) de Niles Atallah, cinta chilena sobre la historia del Rey de La Araucanía llega a los cines.” 12 December. Release report and official-trailer presentation. 

Open entry

2017“The Forgotten Kingdom of Rey – Rey (Film Review).” Close-Up Culture, 29 December. Review of the feature. 

Open entry

2017Águila, Marisol. “Informe I FECIRA: La(s) familia(s) y sus vínculos disparejos.” El Agente Cine, 7 November. Festival report mentioning Rey in FECIRA’s programme. 

Open entry

2017Munjin, Vanja. “Informe VII FICUNAM (1): Fragilidades expuestas. Lo histórico, lo marginal y lo poético como lugares de experimentación cinematográfica.” El Agente Cine, 13 March. Festival report with an extended discussion of Rey. 

Open entry

2017Oyarzún, Héctor. “Informe XXIV FicValdivia (2): De historia, política, amor y cinefilia.” El Agente Cine, 24 October. Festival essay comparing the historical representation in Rey and Lucrecia Martel’s Zama. 

Open entry

2017Gutiérrez, José Hernán. “Informe XXIV FicValdivia (3): De tierras robadas y viejos maestros.” El Agente Cine, 27 October. Festival essay discussing Rey’s colonial history and material experimentation. 

Open entry

c. 2017Bardot, Nicolas. “Les 15 films de novembre.” FilmDeCulte. Monthly release round-up including Rey. 

Open entry

2017Di Salvatore, Giuseppe. “Rey.” Filmexplorer, 10 November. Italian-language review, published during GIFF and FILMAR en América Latina in Geneva. 

Open entry

c. 2016Baus, Martín. “Lucía.” Campo Contra Campo: Ficción y política en el cine chileno. Review of the feature’s domestic space, urban transformation, image fragmentation and political memory. 

Open entry

2015Sattler Jiménez, Nancy. “Creación musical chilena.” Revista Musical Chilena 69(223). DOI: 10.4067/S0716-27902015000100018. Performance chronicle documenting Atallah’s animation contribution to Anticantata. 

Open entry

2015“Entrevista a Vania Barraza.” Revista Planeo, 13 January. Interview with the film scholar, including sustained discussion of Lucía, gender, urban redevelopment and historical memory; not an interview with Atallah. 

Open entry

2015“Museo Histórico Maurice Van de Maele fue locación de la nueva película de Niles Atallah.” Dirección Museológica, Universidad Austral de Chile, October. Production report on the recording of Rey’s music with Sebastián Jatz Rawicz. 

Open entry

2015Navarrete Alvear, Daniel. “En Valdivia graban música para la película ‘Rey’ de Niles Atallah.” El Austral de Los Ríos, Espectáculos, 26 October, p. 26. Report on the soundtrack’s recording with Sebastián Jatz Rawicz. 

Open entry

2013Pinto, Iván. Curatorial text on Diluvio, in “Visiones Laterales #3: Diluvio (Atallah, León y Cociña) + Juan Pablo Langlois.” laFuga / Cineteca Nacional de Chile. 

Open entry

2013Herrera, Cinthia, and Nicole Trejo. “Cine, Ciudad y Memoria: Entrevista a Christian Ramírez.” 35 Milímetros, 8 May. Interview with the critic, including an extended discussion of Lucía’s domestic space and the representation of Santiago. Drawn from a 2012 Universidad de Chile research project. 

Open entry

2013Acosta, Cesar. “Niles Atallah participa en Festival de Cannes con proyecto sobre ‘Rey de la Araucanía’.” BioBioChile, 24 May. Development report with Atallah’s comments on Rey during Cannes L’Atelier. 

Open entry

2013Aguilera R., Carlos. “Película chilena ‘Rey’ fue seleccionada para el Atelier de Cannes 2013.” El Mercurio, Espectáculos, 5 March, p. C15. Project-development report with Atallah’s comments. 

Open entry

2011Bernal, Fernando. “Lucía.” Cahiers du cinéma España, no. 49, October; Festival Simultáneo de Cine 4+1 dossier. 

Open entry

2011Estévez, Antonella. “Lucía, de Niles Atallah.” Cinechile, 5 August. 

Open entry

2011Batlle, Diego. “Guía y reseñas de un festival inusual.” Otros Cines, October. Festival 4+1 report including a short signed review of Lucía. 

Open entry

2011Reyes León, Daniel. Essay on Lucía, Luis y el lobo. Reproduced in Fundación PROA’s Art in the Auditorium III online exhibition publication. Analysis of the Galería Animal installation, its spatial construction, stop motion and sound. 

Open entry

2011Ayala, Ernesto. “ ‘Lucía’: Un debut prometedor.” El Mercurio, Artes y Letras, 7 August, p. E15. Review of the feature. 

Open entry

c. 2011Martínez, Antonio. “ ‘Lucía’: Tiempo de demolición.” El Mercurio, Wikén, c. 5 August, p. 4. Review of the feature; date inferred from the saved PDF and release window. 

Open entry

2011Olivares, Juan José. “El foro de la Cineteca, ‘ventana al cine alternativo de calidad’.” La Jornada, 12 April, p. 9. Report on Lucía opening the 31st Foro and the Lucía y el bosque de cristal installation. 

Open entry

2011Olivares, Eduardo. “Ficción: ‘Las Marimbas del Infierno’ de Julio Hernandez y ‘Lucia’, de Niles Atallah, los grandes ganadores en Toulouse.” La Francolatina, 27 March. Report on Lucía’s three Toulouse awards. 

Open entry

2011EFE. “Guatemalteco Julio Hernández gana el gran premio del Festival de Toulouse.” MiamiDiario, 27 March. Festival-awards report including Lucía. 

Open entry

c. 2011El País (Montevideo, Uruguay). “Otra visión de América fue premiada en Francia.” Espectáculos, c. March. Toulouse awards coverage; saved-page masthead dated 29 March. 

Open entry

2011Filmkrant. “Chileense wederopstanding,” in “Evenementen (Focus) – 30 juni 2011.” 30 June. Programme report documenting Lucía in EYE’s Cinema Chile season. 

Open entry

2010Blanco, Felipe. “Lucía.” laFuga 11. Review of the feature’s visual construction, domestic space and relationship to memory. 

Open entry

2010Biénzobas, Pamela. “58º Festival de San Sebastián (2): Chile, Chile lindo.” Mabuse, 6 October. Comparative discussion of Lucía and Post Mortem. 

Open entry

2010La Tercera y Agencias. “Película chilena Lucía es seleccionada en Festival de San Sebastián.” La Tercera, 9 August 2010. Festival-selection report. 

Open entry

2010EFE. “Chile, México y Argentina dominan la presencia latina en San Sebastián.” La Tercera, 15 September 2010. Festival report including Lucía. 

Open entry

2010Jones, Benjamin. “15 films to vie for San Sebastian award.” The Hollywood Reporter, 9 August 2010. Zabaltegi–New Directors line-up. 

Open entry

2010Young, Neil. “Lucia — Film Review.” The Hollywood Reporter, 27 September 2010. Review of the feature. 

Open entry

2010Holland, Jonathan. “San Sebastian: Films with ideals.” Variety, 19 September 2010. Festival report including Lucía. 

Open entry

2010Wilkinson, Amber. “San Sebastian Film Festival: Day Three.” Eye for Film, 20 September 2010. Festival diary with commentary on Lucía. 

Open entry

2010Evans, Chris. “San Sebastian boasts eight world premieres in New Directors line-up.” Screen Daily, 9 August 2010. Festival-selection report. 

Open entry

2010Adams, Mark. “Lucia.” Screen Daily, 22 September 2010. Review of the feature. 

Open entry

2010Fuera de Perú. “En marcha el Festival de Cine de San Sebastian.” 18 September 2010. Festival preview including Lucía. 

Open entry

2010Losilla, Carlos. “Pequeña crónica de una transfiguración.” Cahiers du cinéma España, October 2010, p. 27. Discussion of Lucía and La vida útil. 

Open entry

2010Maza, Gonzalo. “Otros territorios, otras fronteras.” Cahiers du cinéma España, October 2010, pp. 58–59. Essay on contemporary Chilean cinema with discussion of Lucía. 

Open entry

2010Deia. “Quince películas de 17 países participarán en la sección Zabaltegi del Zinemaldia.” 10 August 2010, pp. 50–51. Festival-selection report and film profiles. 

Open entry

2010EFE. “Cine con nueva mirada.” Diario de Navarra, 10 August 2010, pp. 56–57. Festival-selection report including Lucía. 

Open entry

2010EFE. “Quince filmes de 17 países competirán en Zabaltegi–Nuevos Directores.” Diario de Noticias, 10 August 2010, p. 55. Festival-selection report. 

Open entry

2010EFE. “Dos óperas primas españolas en Zabaltegi–Nuevos Directores.” Noticias de Álava, 10 August 2010, p. 54. Festival-selection report including Lucía. 

Open entry

2010Flaño, Teresa. “Noveles pero muy preparados.” El Diario Vasco, 10 August 2010, pp. 47–48. Festival-selection report including Lucía. 

Open entry

2010El País (Spain). “15 filmes optan al premio Nuevos Directores del Zinemaldia.” 10 August 2010. Festival-selection report indexed in the contemporary press dossier. 

Open entry

2010Fuerza Vital. “Lucía (Niles Atallah, 2010).” 22 September 2010. Review of the feature. 

Open entry

2010Gara. “ ‘Izarren argia’ de Mikel Rueda competirá en Zabaltegi de Zinemaldia.” 10 August 2010, Kultura, p. 42. Festival-selection report including Lucía. 

Open entry

2010Noticias de Gipuzkoa. “Quince películas de 17 países optan al premio Nuevos Directores del Zinemaldia.” 10 August 2010, p. 50. Festival-selection coverage including Lucía. 

Open entry

2010Pérez de Anucita, Ruth. “Más Zabaltegi que nunca.” Noticias de Gipuzkoa, Especial Zinemaldia 2010, 16 September 2010, pp. 4–5. Festival overview including Lucía. 

Open entry

2010Guerrero, Carolina G. “Arranca el Festival de San Sebastián con seis películas iberoamericanas a concurso.” NOTICINE.com, 16 September 2010. Festival preview including Lucía. 

Open entry

2007Miranda, Rodrigo. “Estrenan documental sobre ex salitrera.” La Tercera, 27 June. Report on Memoria Desierta, Chacabuco and the film’s Cineteca Nacional screening the following day. 

Open entry

2006“Film to Be Made in Chile About Pinochet-Era Desert Prison Camp.” The Santiago Times. Pre-production article on Chacabuco, the documentary project and interviews with former political prisoners. 

Open entry